Ehikhamenor’s practice also encapsulates works on paper that are composed of a series of perforations - small, uniform holes that read as miniature, circular eruptions of the head of a nail that has cut through the paper over and over and then been removed …

  • These perforations form shapes and portraits, building figures from the negative space they remove from the surface. A more sculptural, monochrome form of the modernist painting technique of pointillism, the perforations form figures from a neat, methodical violence inflicted on the surface of the work, building a poetic and visceral take on the violence of systems of power and education and their role in shaping identity.

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INSTALLATIONS